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The Jazz Singer Jerry Lewis Autograph DVD, In-Person WITH PHOTOS

$ 34.29

Availability: 100 in stock
  • Refund will be given as: Money Back
  • Modified Item: Yes
  • Return shipping will be paid by: Buyer
  • Signed by: Jerry Lewis
  • Item must be returned within: 14 Days
  • Autograph Authentication: The Inkwell Autograph Gallery
  • Condition: NEW
  • Industry: Movies
  • Original/Reproduction: Original
  • Object Type: DVD Cover
  • All returns accepted: Returns Accepted
  • Country/Region of Manufacture: United States
  • Movie: The Jazz Singer
  • Restocking Fee: No
  • Modification Description: signed DVD

    Description

    JERRY LEWIS SIGNED DVD "THE JAZZ SINGER" OBTAINED IN PERSON
    Jerry Lewis as The Jazz Singer, from the personal archives of Jerry Lewis...Not seen since its original 1959 Broadcast.  Signed "Jerry 2/12" in silver marker.
    Signing witnessed and DVD obtained by the owner of The Inkwell Autograph Gallery.
    Obtained in Los Angeles, CA
    We will provide our COA WITH PHOTO OF SIGNING
    In fine condition, new, only opened to get signed and take photos for this listing.
    Jerry Lewis
    (born
    Joseph Levitch
    ;
    [a]
    March 16, 1926 – August 20, 2017) was an American comedian, actor, singer, filmmaker and humanitarian, dubbed as "The King of Comedy" and "The Total Filmmaker". He gained his career breakthrough together with singer
    Dean Martin
    , becoming
    Martin & Lewis
    in 1946 and for ten years, would both perform on stage and in film and television until their acrimonious breakup in 1956.
    Lewis pursued a solo career, starring in several theatrical movies, worked behind-the-scenes as director, producer and screenwriter, performed
    comedy routines
    on stage, released many albums as a singer and raised awareness for
    muscular dystrophy
    , while as national chairman of the
    Muscular Dystrophy Association
    , most notably
    The Jerry Lewis MDA Labor Day Telethon
    he hosted, which raised .6 billion for the cause.
    Lewis was born on March 16, 1926 in
    Newark, New Jersey
    , to Daniel "Danny" Levitch (1902–80), a
    master of ceremonies
    and
    vaudevillian
    , who performed under the stage name Danny Lewis, from
    New York
    whose parents immigrated to the United States from the
    Russian Empire
    , and Rachael "Rae" Levitch (née Brodsky; 1903–83), a
    WOR
    pianist and Danny's music director from
    Warsaw
    .
    [3]
    [4]
    [5]
    [6]
    [7]
    [8]
    [9]
    [10]
    Reports as to his
    birth name
    are conflicting; in Lewis' 1982 autobiography, he claimed his birth name was Joseph, after his maternal grandfather, but his
    birth certificate
    ,
    [11]
    [12]
    the
    1930 U. S. Census
    , and the
    1940 U. S. Census
    all name him as Jerome.
    [13]
    [4]
    [14]
    [15]
    Lewis said that he ceased using the names Joseph and Joey as an adult to avoid being confused with
    Joe E. Lewis
    and
    Joe Louis
    .
    [8]
    Reports as to the hospital in which he was born conflict as well, with biographer
    Shawn Levy
    claiming he was born at Clinton Private Hospital and others claiming
    Newark Beth Israel Hospital
    .
    [16]
    [17]
    [18]
    [19]
    Other claims of his early life also conflict with accounts made by family members, burial records, and
    vital records
    .
    He was a "character" even in his teenage years, pulling pranks in his neighborhood including sneaking into kitchens to steal fried chicken and pies. He dropped out of
    Irvington High School
    in the tenth grade. By age 15, he had developed his "Record Act" miming lyrics to songs while a phonograph played offstage. He landed a gig at a burlesque house in Buffalo, but his performance fell flat and was unable to book any more shows. Lewis worked as a
    soda jerk
    and a theater usher for
    Suzanne Pleshette
    's father Gene at the
    Paramount Theatre
    [20]
    [21]
    [22]
    [23]
    [24]
    as well as at
    Loew's Capitol Theatre
    , both in New York City,
    [25]
    to make ends meet.
    A veteran burlesque comedian, Max Coleman, who had worked with Lewis' father years before, persuaded him to try again. Irving Kaye,
    [26]
    [27]
    [28]
    [29]
    a
    Borscht Belt
    comedian, saw Lewis' mime act at
    Brown's Hotel
    in Loch Sheldrake, New York, the following summer, and the audience was so enthusiastic that Kaye became Lewis' manager and guardian for Borscht Belt appearances.
    [30]
    During
    World War II
    , he was rejected for military service because of a
    heart murmur
    .
    [31]
    Career
    Performing with Dean Martin
    Main article:
    Martin and Lewis
    Lewis with
    Dean Martin
    in 1950
    Lewis initially gained attention as part of a double act with singer
    Dean Martin
    , who served as
    straight man
    to Lewis' zany antics as the
    Martin and Lewis
    comedy team. They were different from other duo acts of the time because they played to each other and had ad-libbed improvisational segments within their planned routines.
    After forming in 1946, they quickly rose to national prominence, first with their popular nightclub act, then as stars of their
    NBC
    radio program
    The Martin and Lewis Show
    .
    [32]
    The two made appearances on early
    live television
    on their June 20, 1948 debut broadcast on
    Toast of the Town
    (later renamed as
    The Ed Sullivan Show
    on September 25, 1955) on CBS.
    [33]
    This was followed by a guest stint on
    The Milton Berle Show
    , then their appearance on NBC's
    Welcome Aboard
    on October 3, 1948.
    In 1950, Martin and Lewis signed with NBC to be one of a series of weekly rotating hosts of
    The Colgate Comedy Hour
    , a live Sunday evening broadcast. Lewis, writer for the team's nightclub act, hired
    Norman Lear
    and Ed Simmons as regular writers for their
    Comedy Hour
    material.
    [34]
    [35]
    Their
    Comedy Hour
    shows consisted of stand-up dialogue, song and dance from their nightclub act and movies, backed by
    Dick Stabile
    's
    big band
    , slapstick and satirical sketch comedy, Martin's solo songs, and Lewis' solo pantomimes or physical numbers.
    Martin and Lewis often broke character, ad-libbing and
    breaking the fourth wall
    . While not completely capturing the orchestrated mayhem of their nightclub act, the
    Comedy Hour
    displayed charismatic energy between the team and established their popularity nationwide. By 1951, with an appearance at the
    Paramount Theater
    , they were a cultural phenomenon, attracting crowds rivaled only by
    Frank Sinatra
    earlier and later by
    Elvis Presley
    and
    The Beatles
    . The duo began their film careers at
    Paramount Pictures
    as ensemble players, in
    a 1949 film adaptation
    of the
    radio series
    My Friend Irma
    and its sequel
    My Friend Irma Goes West
    (1950).
    Soon after, Martin and Lewis starred in their own vehicles in 14 new movies,
    At War with the Army
    (1950),
    That's My Boy
    (1951),
    Sailor Beware
    (1952),
    Jumping Jacks
    (1952),
    The Stooge
    (1952),
    Scared Stiff
    (1953),
    The Caddy
    (1953),
    Money from Home
    (1953),
    Living It Up
    (1954),
    3 Ring Circus
    (1954),
    You're Never Too Young
    (1955),
    Artists and Models
    (1955),
    Pardners
    (1956) and
    Hollywood or Bust
    (1956), all produced by
    Hal B. Wallis
    .
    In 1952, Martin and Lewis appeared on
    Bing Crosby
    and
    Bob Hope
    's Olympic Fund Telethon, cameoed in their film
    Road to Bali
    (1952) and then Hope and Crosby would do the same thing in Lewis and Martin's
    Scared Stiff
    a year later. Attesting to the duo's popularity,
    DC Comics
    published
    The Adventures of Dean Martin and Jerry Lewis
    from 1952 to 1957. In 1954, the team appeared on episode 191 of
    What's My Line?
    as mystery guests, appeared on the 27th annual
    Academy Awards
    in 1955 and appeared on
    The Steve Allen Show
    and
    The Today Show
    in 1956.
    Their films were reliable financial successes for Paramount and hugely popular with audiences, in later years, both Lewis and Martin admitted frustration, and were critical of Wallis for his formulaic and trite film choices, restricting them to narrow, repetitive roles. As Martin's roles in their films became less important over time and Lewis receiving the majority of critical acclaim, the partnership came under strain. Martin's participation became an embarrassment in 1954 when
    Look
    magazine published a publicity photo of the team for the magazine cover but cropped Martin out.
    [36]
    After their partnership ended with their final nightclub act on July 24, 1956, both Martin and Lewis went on to highly successful solo careers and neither would comment on the split nor consider a reunion. However, they would occasionally be seen at the same public events, though never together. On two occasions, Martin invited Lewis on stage, in 1958 and 1961, but the split was too serious for them to reconcile. Sinatra surprised Lewis by bringing Martin on stage on the MDA telethon in September 1976
    [37]
    and in 1989, Lewis attended Martin's 72nd birthday.
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